Photographer

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Aircraft

I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
lhbp_spotter14 I-DPCI
400 11 0 Canadair CL-415
I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
Luigi Orlandi I-DPCI
2,242 14 2 Canadair CL-415
I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
Varani Ennio I-DPCI
1,193 2 0 Canadair CL-415

Photo location

G-BJXL - Boeing 737-2T4(Adv) - Air Europe
Michael Genovese G-BJXL
64 0 0 Boeing 737-2T4(Adv)
N637CC - Bombardier Dash 8-Q202 - Beutlin
Buzu N637CC
97 0 0 Bombardier Dash 8-Q202
PT-ZNG - Embraer KC-390 - Embraer
Buzu PT-ZNG
97 0 0 Embraer KC-390

Photographer

OE-IKB - McDonnell Douglas MD-83 - Mesopotamia Air (MAP Executive Flightservice)
Mark Zerafa Gilson OE-IKB
3,917 1 0 McDonnell Douglas MD-83
9H-ADI - Boeing 737-33A - Air Malta
Mark Zerafa Gilson 9H-ADI
7,905 3 1 Boeing 737-33A
9H-ADI - Boeing 737-33A - Air Malta
Mark Zerafa Gilson 9H-ADI
3,196 0 0 Boeing 737-33A

Registration

I-DPCI

Photo Date

Sep 22, 2006

Uploaded

Sep 29, 2006

Views

1,780

Likes

0

Badges

None

Notes

None

Camera

Nikon D70 | AF Nikkor 18-200mm VR
I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
lhbp_spotter14 I-DPCI
400 11 0 Canadair CL-415
I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
Luigi Orlandi I-DPCI
2,242 14 2 Canadair CL-415
I-DPCI - Canadair CL-415 - Italy - Vigili del Fuoco
Varani Ennio I-DPCI
1,193 2 0 Canadair CL-415
G-BJXL - Boeing 737-2T4(Adv) - Air Europe
Michael Genovese G-BJXL
64 0 0 Boeing 737-2T4(Adv)
N637CC - Bombardier Dash 8-Q202 - Beutlin
Buzu N637CC
97 0 0 Bombardier Dash 8-Q202
PT-ZNG - Embraer KC-390 - Embraer
Buzu PT-ZNG
97 0 0 Embraer KC-390
OE-IKB - McDonnell Douglas MD-83 - Mesopotamia Air (MAP Executive Flightservice)
Mark Zerafa Gilson OE-IKB
3,917 1 0 McDonnell Douglas MD-83
9H-ADI - Boeing 737-33A - Air Malta
Mark Zerafa Gilson 9H-ADI
7,905 3 1 Boeing 737-33A
9H-ADI - Boeing 737-33A - Air Malta
Mark Zerafa Gilson 9H-ADI
3,196 0 0 Boeing 737-33A
Contact photographer for terms of use.
Use this photo

Comments

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Alan Cordina
Alan Cordina

I like how you completely did away, or edited, the usually destructive (in my opinion) strong orange tint from the flood lights at Park 4.

Mark Zerafa Gilson
Mark Zerafa Gilson

It's a White Balance Setting - Yellow light requires balancing through setting the camera for "Incandescent" light, this is stepped to +3 for maximum effect.